2017
Jeff Koons: Grazing Ball Paintings (with Donatien Grau), Gagosian / Rizzoli, New York.
Catalogue Essay, Chu Teh-Chun’s Quest, Waddington Custot, London.
Catalogue Essay, Shirazeh Houshiary: Meditations on Cosmos, Lisson Gallery, New York.
Catalogue Essay, From Figuration and Quantom Physics: The Late Works of E.W Nay in Context, Almine Rech Gallery, London.
Catalogue Essay, Julian Schnabel: Re-Reading, Almine Rech Gallery, New York.
Catalogue Essay, Jeff Elrod: Painting Portals, Vito Schnabel Gallery, Switzerland.
2016
Catalogue essay, Klein & Giacometti: In Search of the Absolute in the Era of Relativity, Gagosian Gallery, Lodon, April.
2015
Catalogue Essay, Matisse and Picasso, Hammer Galleries, New York.
“Jack Climbed up the Beanstalk to the Sky of Illimitableness Where Everything Went Backwards”, Julian Schnabel, Almine Rech Gallery, Paris.
Catalogue Essays, Miro, Gmurzynska Gallery, Zurich.
Catalogue Essay, “Jasper Johns, Rencontre au Sommet”, PicassoMania, Grand Palais, Paris.
Glenn Lowry with Joachim Pissarro, Gaby Collins-Fernandez, and David Carrier, The Brooklyn Rail, May.
2014
Catalogue Essay, Jeff Koons’s Gazing Balls or the Eye of Janus Today and Jeff Koon’s Epic Poem. Almine Rech, Brussels.
Catalogue Essay, Robert Rauschenberg: Works on Metal. Gagosian, Beverly Hills.
Catalogue Essay, Martin Creed: What’s the Point of it? Hayward Gallery, London.
2013
Wild Art (with David Carrier), Phaidon Press.
Catalogue Essay, Pissarro, Museo Thyssen-Bornemisza, Madrid.
2012
“Jeff Koons at Almine Rech”, “Joachim Pissarro in conversation with Jeff Koons”, and “Jeff Koons: Humankind Before All”, Jeff Koons, Almine Rech Gallery, Brussels.
Catalogue Raisonné of Robert Motherwell, Dedalus Foundation, New York.
2011
“Cézanne et Pissarro: Esthétiques de la Résistance / Résistances à toute Esthétique”, Cézanne et Paris, Musée du Luxembourg, Paris.
“The Love of Painting” (with Mara Hoberman), Robert Indiana: Rare Works from 1959 on Coenties Slip”, Galerie Gmurzynska, Zurich.
“A Sea of Meanings: Drawings by Robert Morris”, Robert Morris: Drawings 1961, Craig F. Starr Gallery, New York.
2010
“Reality Show,” (with Mara Hoberman).
Marc Quinn: Allanah, Buck, Catman, Chelsea, Michael, Pamela and Thomas, White Cube, London.
“Embodiments of Color,” in Suzan Frecon, David Zwirner, New York.
“Joseph Beuys: Set Between One and All”, Joseph Beuys: Make the Secrets Productive, PaceWildenstein, New York.
2009
“Pissarro and the Paradoxes of Memory”, Musée des Impressionismes, Giverny.
“A conversation: Tim Eitel and Joachim Pissarro”, Tim Eitel, Invisible Forces, PaceWildenstein, New York.
“Le de Kooning tardif” in Deadline, Musée d’Art moderne de la Ville, Paris-Musées, Paris.
“Representing Limitlessness: Rachel Howard’s Via Dolorosa: Truth is Repetition,” in Rachel Howard, Repetition is Truth – Via Dolorosa, Murderme Publications, London.
2008
Vincent van Gogh: the Colors of the Night, with Sjraar van Heugten and Chris Stolwick,
co-published by The Museum of Modern Art, New York,
and the Van Gogh Museum, Amsterdam.
“The Night’s Thousand Eyes”, to: Night: Contemporary Representations of the Night, Hunter College Art Galleries, New York.
2007
“Late de Kooning” Willem de Kooning 1981-1986, published by L&M Arts, New York.
2006
Cézanne/Pissarro, Johns/Rauschenberg; Comparative Studies on Intersubjectivity in Modern Art, Cambridge University Press, Cambridge and New York.
2005
Catalogue Raisonné of Camille Pissarro's Paintings (with Claire Snollaerts), Wildenstein Institute, Paris.
Pioneering Modern Painting: Cézanne and Pissarro, Museum of Modern Art, New York.
2001
The Thannhauser Collection of the Guggenheim Museum, The Guggenheim Museum, New York, with other authors.
1999
“Jasper Johns’s Bridge Paintings Under Construction,” in Jasper Johns—New Paintings and Works on Paper, San Francisco Museum of Modern Art, in association with the Yale University Art Gallery, New Haven.
1998
Introductory essay to Matisse and Picasso, by Yve-Alain Bois, Flammarion, Paris.
“Robert Indiana: Signs into Art”, in Robert Indiana—Rétrospective 1958-1998, Musée d’art moderne etd’art contemporain, Nice.
Then and Now and Later: Art Since 1945 at Yale, Yale University Art Gallery, New Haven.
1997
Monet and the Mediterranean, Rizzoli, New York.
1996
“La Main de Giacometti,”, La Main, Institut d’Arts Visuels, Association des Conférences, Orléans.
“Pissarro in St. Thomas,” in Camille Pissarro in the Caribbean, 1850-1855: Drawings from the Collection at Olana, The Hebrew Congregation of St. Thomas, St. Thomas, U.S. Virgin Islands.
1994
“Pissarro’s Memory,” in Camille Pissarro: Impressionist Innovator,
The Israel Museum, Jerusalem.
1993
Camille Pissarro, Abrams, New York.
The Impressionist and the City: Pissarro’s Series Paintings, Yale University Press, New Haven and London.
1992
Camille Pissarro, Rizzoli Art Series, New York.
“Y a-t-il une mélancolie impressionniste?” in Esthétique et mélancolie, Institut d’Arts Visuels, Association des Conférences, Orléans.
1991
Entries for The Sirak Collection, Columbus Museum of Art, Columbus, Ohio, with Richard Brettell.
1990
Monet’s Cathedral, Rouen, 1892-1894, A. Knopf, New York.
Iconographic and editorial research on Pissarro and Pontoise, by Richard R. Brettell, Yale University Press, New Haven and London.